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Power Plant Contemporary Art Gallery
Field Trip: Stanzie Tooth in conversation with Joséphine Denis.
June 12, 2021
Graham Gillmore: The End of Eloquence
November 2020
Art Gallery of Ontario acquires works by Julie Voyce at ART/TO 2020
October 28, 2020
Alex Bierk wins Laura Ciruls Painting Award
June 2020
Artists grapple with the complicated relationship between addiction and art
Julie Voyce
Stacey Tyrell: Bluid and Sweat
Jordan Broadworth: Vital Binary
Kelowna Art Gallery
DAVEANDJENN & PA SYSTEM
Akimbo review by Terence Dick
How this artist brings the opioid crisis to the art gallery
Alex Bierk tells a story of addiction and loss in Peterborough.
Artist Speaks Out on Opioid Deaths
Painter Alex Bierk is an addict in recovery, and he wants to keep the conversation alive about a critical social issue not often depicted in Canadian contemporary art.
CANADIAN ART MAGAZINE INTERVIEW with Leah Sandals
Alex Bierk: Recovery Artist
Border Crossings Magazine interview with Robert Enright
Alex Bierk: When Addiction Becomes Art
Canadian Art Magazine review by Leah Sandals
Pitfalls and Withdrawals exhibition
Joe Fleming: Silver Harley
Artoronto.ca review by Mikael Sandblom
Joe Fleming: Searching Through the Eighties
Fugitive Pigment review by Earl Miller
Gripped by triumph and danger
Jordan Broadworth
From the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris, to the Automatistes in Montreal, to the conceptual art movement in Halifax, the urge to abstraction in art is spread wide across Canada. Abstract Painting in Canada covers the movement throughout the twentieth century, including highlights from 1940s Montreal and the Clement Greenberg-influenced Prairies in the sixties and seventies. The book continues through the eighties and nineties, during which critics largely denounced painting, and concludes in the twenty-first century, with abstract painting alive and well again in the studios of Canada's young artists. A monumental time containing 200 colour reproductions, it mines a rich vein of art history ripe for international discovery.
Unlike with unlike, we like it
Ten Contact Photography Festival Shows to See
Globe and Mail review by Kate Taylor
Maslen & Mehra: Mirror Mirror
Paul Collins:
Marginalia
Artoronto.ca review by Mikael Sandblom
Nicole Collins: Gifts from Italy
CANADIAN ART MAGAZINE REVIEW by Richard Rhodes
Nicole Collins: Glimpses of Renewal
Canadian Art Magazine Review, By Pete Smith